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  1. Data Sonification
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Sound and data parameters

Understanding the variety of ways data can be represented as sound.

PreviousBenefits and applicationsNextDesign and aesthetic

Last updated 2 months ago

When creating a data sonification, there are many choices to be made regarding what aspects of the data are converted to sound, and what characteristics of sound are used in this representation.

In , dimensions of data are matched to dimensions of sound. Check out Matt Russo's , and Jordan Wirfs-Brock's .

Data Choices

Dimensions of data that can be converted to sound

  • Mapping function / data selection Which variables of the data set are getting converted to sound?

  • Polarity What is the direction of relationship between your data values and audio parameters? (For example, are larger numbers matched with higher pitch/volume? Or it is vice versa?)

  • Range The span of audio values to which the data is transferred, such as a range of musical notes or volume.

  • Scaling Mathematical relationship between data and audio parameters, such as linear or logarithmic.

Audio Choices

Dimensions of sound to represent the data

  • Pitch Note frequency (Hz). In other words, "highness" vs. "lowness."

  • Timbre / texture The quality of a sound or tone; the distinct "color" of a sound.

  • Loudness / volume = Perceived level of sound that is heard by the listener, related to the magnitude of a sound.

  • Tempo Rhythm and cadence with which sound is played.

  • Duration The length of time the sound lasts.

  • Panning / stereo image The position of audio from left to right speaker or headphone.

parameter mapping
description of data-related choices
exploration of sonic dimensions
Cover
Cover
, page 366.

Data Sonification Handbook
Matt Russo describes data-related choices.
Jordan Wirfs-Brock explores dimensions of sound.